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Her writings challenge the common idea that the old American films were somehow greater than the ones today (though, no doubt, Kael would 9/10 She is still a wonder to behold.moreĩ/10 This is my first experience with Pauline Kael, but very early into this book I realized statements of her being the greatest film critic weren't overblown-this collection of writings, penned in the late 60's, is every bit as relevant to the modern film industry (purportedly much changed in the past 50 years) as it was to the film scene Kael was covering.

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Yet to call her just a movie lover is wrong, she loved all the arts and every bit of expression. To which her response comically is, Who does it suit for life? When you read this be ready to be enthralled by one of the most beguiling voices about modern cinema. It is worth the price of the book when she hears that the 'theme' of the movie is to be, education doesn't suit women for life. There is also her priceless view of the making of the Group a film she witnessed from beginning to the end. To which her response comically is, Who does it suit for life? When you read this be ready to be enthralled by one of the most beguiling voices about modern Most of this book is capsule reviews, but even there Kael's wonderful and boundless prose found expression. Most of this book is capsule reviews, but even there Kael's wonderful and boundless prose found expression.

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